Meanderings in Middle India In The Last Road Trip of 2024

Meanderings in Middle India In The Last Road Trip of 2024

Part 1 — The Legacy of the Ahilyabai

Meanderings in Middle India
Glimpses into our past. Image by author.

Not until we crossed the bridge over the wide basin of the Narmada River did it feel like we’d entered middle India — the state of Madhya Pradesh (MP).

It went on for ever and the river full to the brim flowed steadily below.

Leaving behind Kalghat at 3 pm, we crossed the Narmada and headed towards Dhamnod. Our final destination for the day was the historic town of Maheshwar.

We were close now. After taking a last look at the traffic map, I left Pune at 5:40 am that morning. Good coffee, melodies and a road trip-loving friend (A) was just the company I needed to plan this meander.


The Region

When the ubiquitous tea shops started displaying samosas, kachoris and other savoury snacks we knew we had made it there.

The snacks marked the shift in region, preferences and culture.


Destination Maheshwar

Ahilyabai Holkar is the most famous figure of her dynasty. After the loss of her husband and young son, she administered her dominions ably from the capital city, Maheshwar.


The Ahilya Ghat

Meanderings in Middle India
The Royal Entrance of the Ahilya Fort and steps leading to the Narmada river. Image by author.

It was soon twilight.

The jarring lights of the turning selfie stands and the Hindi songs they were belting out vitiated the atmosphere we had come to seek.

Meanderings in Middle India
The Narmada River embankment, late evening with distracting selfie stands. Image by author.

It was expecting too much for the ghat to be tranquil. All seemed lost when three other vendors peddling the same tricks turned up.

We left.

Tomorrow would be another day and natural light would shine on things.


The Temples

Meanderings in Middle India
The Baneshwar temple in the middle of the river. Image by author.

The temple is built on a partially submerged island that is home only to birds, the occasional human and an electric generator that supplies light to the temple. You can get down from the boat, pray and come back.

From the river the Ahilya Fort and Ghat appeared grander than before. We could take in the whole landscape from afar.

The Ahilya Fort and Narmada river embankment as seen from the boat
The Ahilya Fort and Narmada river embankment as seen from the boat. Image by author.

After paying off the boat man, we stopped to admired the royal entrance up close.

On the left of the entrance is the Ahilyeshwar temple dedicated to Shiva. A tapering spire rises high. Every section has unique motifs, animals in action or humans carved in poses of worship, guarding in revelry.

The Ahilyeshwar temple within the Fort complex
The Ahilyeshwar temple within the Fort complex. Image by author.

The shorter but equally adorned structure on the right is the cenotaph of Vithoji Holkar.

The Ahilyeshwar temple within the Fort complex
The Ahilyeshwar temple within the Fort complex. Image by author.

Visitors can climb up to the second floor of the fort and take in the views from the huge terrace that faces the Narmada.

We took our time admiring the carved ceilings, and intricate arch patterns. The jharokhas or ornamental windows seemed suspended in the air. Witnessing such architectural mastery, A was tempted to pose for photos.

It was a lot of beauty to take in, in a short time.

Both A and I love to sit and process what we just saw. As A chatted with a bead seller about how business was, we settled on a platform from where we could take in both temples. As she spoke about what impressed her most, I watched people being people.

Meanderings in Middle India
Arches with carvings. Image by author.


Last Trip of 2024

Ahead of us that day, was a visit to an equally grand historic sight and our final destination —Indore.

The last trip of 2024 was my first road trip in two years with A. We chose to meander in Middle India.

Back at the wheel of my car, it felt like meeting an old friend after years of absence.

There was an initial awkwardness, a feeling of being out of place. A settled into her role as our music curator.

As the hours passed, and as we left behind people and places, the rhythm returned.

The car hadn’t changed. It welcomed me back without question.

But I was a work in progress. The journey felt new.

Back in the driver’s seat, I worked through the map with our destination in mind.

Seat adjusted, snacks at hand, playlist tuned and a peppy engine raring to go, I reconnected with a part of myself that I had lost.

Finally, I was exactly where I needed to be.


To be continued… Part 2: The Legacy of the Khiljis.

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